We’re back again and this year going straight for the heavy hitters. Amongst our 10 favourite albums of the past year you’ll find American rap finding a new voice and hitting its poetic stride, both timeless and timely mini-symphonies, stripped-back and emotive electronic albums from England and Australia, and your required dosage of slacker rock. Without further ado, please enjoy Ca Va Cool’s best albums of 2015.
10. Kurt Vile – b’lieve i’m goin down…
At Pitchfork Festival this past summer, after torrential downpour followed by inhumane sun, Kurt Vile attempted to reclaim the mood from a harried audience. Despite an equipment malfunction, he still took time to greet his audience down in the muck, shaking hands and sharing smokes. It’s this personal appeal that fills his newest, most accessible record, b’lieve i’m goin down. On standout track, “Pretty Pimpin”, Vile rides a cascading guitar riff and speaks of his inability to recognize himself in the mirror and his detachment from the world around him, as swirling keyboards contemplate his panting vocals. Despite this emotional jumping off point, “Kidding Around” then talks about the meaninglessness of his lyrics and the importance of the “sound of the song.” True, his guitars twang and echo through the ambient heartland Vile has cultivated over his career, but his stinging sentiments about his place in the world are impossible to ignore. Despite his protests (or relentless rain), we can’t help but “care about the meaning of [his] songs”; Kurt Vile is here at his most affective and personal. — Anthony Boire
YouTube: Kurt Vile – Pretty Pimpin
It’s no secret that Ca Va Cool has been relaxing a bit this year, but we’re still listening to the albums and going to the shows; we’ll probably be doing that for life. As the end of year approaches, we realized we couldn’t just sit back and keep our favourite albums and verbose explanations to ourselves. So today, we’ve got a blogger reunion of sorts, 8 CVC writers pick their favourite albums of 2014. Before we get to the heavy hitters later this week in our top 10, today we have the bottom half of the list, which is as eclectic a mix as ever.
20. Vince Staples – Hell Can Wait
Vince Staples is not a concealed weapon. His menace to society attitude has always been present in his music and on Hell Can Wait he raps with his guns drawn, referring to himself as “gangsta god”. Hell Can Wait constantly reminds us that simply living day to day is a feat in an environment deeply influenced by gang culture. The future is bleak, jobs are scarce, but there are ways to earn and provide. Staples refuses to talk about diamonds in his ear or rims on his car. He raps about cheating death and avoiding the LAPD at all costs. Let it be known, Staples is no godsend. But after a slew of hit or miss mixtapes, he has finally found his groove with a team of good producers that have created the next chapter in true West Coast gangsta rap. A special nod goes to Toronto producer Hagler, the beat behind “Screen Door”, “Limos”, and the hypnotic single “Blue Suede”. Hell Can Wait is not pretty, it’s a beautifully ugly EP from a rapper who is deathly serious about his music. — Alec Ross