Photograph by Sabrina Diemert

Toronto’s North by Northeast – or NXNE – is the younger cousin and orienteering opposite of the behemoth Austin music extravaganza South by Southwest. Over its 17 years, the festival has swollen to 7 days of concerts (ranging from cozy church acoustic sets to sprawling punk moshing at Yonge and Dundas Square), films (mostly music-centric documentaries, including this year’s highly touted Better Than Something: Jay Reatard) and interactive conferences (if you were a musician and could get advice from Brian Wilson, wouldn’t you?).

As with any event attempting to cram >600 bands into a few rock-filled days, it has its downsides. As per the SXSW model, the majority of sets are hosted by bars instead of outdoor stages; between dreaded line-ups, safety capacity, and city sprawl, show hopping presents some challenges. Some shows had limits on wristband admittance, require patiently camping out in cue or purchasing additional tickets for entry.

The festival concert becomes a new challenge for the hometown crowd. Unlike insouciant visitors – free of other responsibilities and able to party through the night and recover in the daytime – locals have to play the balancing act between maximum music absorption and minimal sleep/work disruption. Thus, we opted for a version of NXNE for the slightly risk-averse Toronto music fan: mostly music we knew, with a couple of wildcards. As a change of pace, this festival is presented through two points-of-view (sometimes coalescing, sometimes contradicting): Kevin Kania and Sabrina Diemert. We tried to keep our snark to a minimum.

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— , July 28, 2011    3 Comments

All Photographs by Jan Kucic-Riker

Primavera Sound is an overwhelming and vastly stimulating music pilgrimage made each year to Barcelona, Spain. Over two hundred bands across eleven stages and timetables that schedule sets well past five in the morning make the musical mecca a monstrous undertaking. Fortunately, 140,000 music lovers joined me over the course of the three main days and two satellite events to dance, sing, and even swim at the Parc del Fòrum and Poble Espanyol. The eclectic line-up saw everything from unabashed hip-hop to captivating folk ballads and electronic DJ sets. Though the scheduling and sheer volume of music can make it difficult, somehow we found time to sleep amid the madness.

Getting any rest was a predicament owing to the tension of anti-government protests consuming Barcelona’s Plaça de Catalunya over the course of the week. Demonstrators voiced their concerns over the political and economic situation in Spain emphasizing the growing problem of unemployment amongst youth in the country. Primavera Sound also overlapped with the UEFA Cup Champions League final between FC Barcelona and Manchester United. As a result, the Saturday night schedule saw a two-hour gap in music as fans flooded the Llevant stage to watch the match on enormous screens. Whether or not you were a football fan, Barcelona’s victory was instantly apparent as celebrations ripped through the streets and onto La Rambla well past the closing sets at Primavera that night.

Outside its musical aspects, Primavera held an array of meanings. The festival had its transformative qualities, for instance, the colour and amount of wristbands one donned was the founding rule of social hierarchies over the duration of the week. Wrist apparel, stickers, and swipe cards, clung, stuck, and hung off fans as they hustled across the festival grounds. The photo areas provided amusement by way of disgruntled Spanish photographers who complained of poor lighting throughout various sets. Ultimately, the true meaning dawned as I watched a communal dance break out during ‘Summertime Clothes’ by Animal Collective as they closed out the festival at 2AM on the San Miguel Stage. It is my hope that the following images, sounds, and commentary will help convey the innumerable untellable sentiments of Primavera Sound 2011 with you.

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— , June 20, 2011    Comments Off on Primavera Sound Festival 2011