You’ve read the first half of our best albums of the year, but in the final hours of 2014, we’ll be listening to the music that really gets us going. This past year that meant Scandinavians of both the funky and bleak variety, an existential stoner from Montreal, and an aging punk with dance moves made for broadcast television. There were modern classic albums of sumptuous techno minimalism and the Philadelphia power chords that soundtracked the year. But it was a Canadian indie stalwart who after a decade of fine releases has finally, truly come in to his own – getting points from every one of our writers and solidly becoming Ca Va Cool’s best album of 2014.
10. Ought – More Than Any Other Day
For a short while, Montreal’s Ought have burnt brightly, if a little coldly. On their previous EP New Calm, they sounded like a strained David Byrne backed by Joy Division. Now, shouting life-affirming mantras like, “Today more than any other day I am excited to go grocery shopping!” seems be a staple of Ought’s music. With their uplifting LP debut More Than Any Other Day, Ought firmly cement themselves as a positively unmissable act. Throughout both of their latest Toronto shows, Tim Beeler, who commits his talent to guitar and vocals, flailed and shimmied his way through their rhythmic and hypnotic set. Ought affirms that they are, as they put it, a “Habit”, and their frantic energy is palpable in each note and groove they bring on More Than Any Other Day. — Anthony Boire
As Ca Va Cool concludes its fifth year and the arbitrary music-ranking period of 2011 comes to a close, the gang assembled (virtually) once again to bring you our twenty favourite albums of the year. The bottom half of our list features riot grrrls old and new, an R&B resurrection, and, interestingly, most of the Philadelphia rock scene. Stay tuned for the conclusion of our list with the ten best albums of 2011, when we get around to it.
20. The Rural Alberta Advantage – Departing
Arriving in the dead of winter early this year, Departing lived up to high expectations by not really departing at all from the rock ‘n’ nostalgia formula that powered the Rural Alberta Advantage’s 2009 debut Hometowns. A new batch of crafty songs from Nils Edenloff continues to blur the line between homesickness and heartbreak; Paul Banwatt’s manic beats continue to provide the gasoline. Feeling more and more comfortable in their shoes as a dedicated three-piece ensemble, Edenloff, Banwatt, and keyboardist Amy Cole focus on what they’re best at: compelling, unpretentious indie-folk drawn through the emotional mesh of all that we must leave behind. Plus some kickass drums. — Josh Penslar