Photograph by Justin Broadbent

Photograph by Justin Broadbent

November 16, 2013 – There’s something magical about performing in your home city. There’s also something magical about listening to homegrown talent. Maybe it’s because we form a deeper connection with them, given that we’ve walked the same streets as them and eaten at the same greasy spoons. Shad himself must’ve felt this way as he proudly revealed on a cold Saturday night that kids from his grade 6 class were in the audience. And if his music indicates anything, it’s that Shad is all about remembering your roots. The dude was glad to finally be home.

The opening acts were decent. London-based hip hop group The Nicest spat stoner rap after stoner rap. Toronto rapper Casper the Ghost brought his TreeTop Entertainment cronies on stage and exchanged a couple of words. And We Are the City left the crowd drenched in glorious waves of dreamy, saccharine feedback. I’m also quite certain they left a number of people scratching their heads, what with their off-kilter drumming and math rock tendencies.

But Shad stole the show, as expected. He flashed his trademark smile and dove right into “Lost”, the opening track on his new album, Flying Colours. From there on, the crowd was his to command. If he wanted hands in the air, they appeared in seconds. If he wanted a chorus, the crowd gave him one. Even I’ll admit that I was rapping every word to “Stylin’”. Shad could simply do no wrong.

Most of Flying Colours’ hits were delivered, but the real treat, however, was when he dug deep into his discography and brought out his old hits, the tracks that have chronicled his rise as a Canadian hip hop figure. I’m talking about “Rose Garden” and its iconic video, the humorous narrative in “The Old Prince Still Lives at Home”, and “I Get Down”, the song that probably started it all. Needless to say, the crowd went crazy.

Continue Reading ‘Shad: London Music Hall’ Concert »

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— , November 23, 2013    Comments Off on Shad: London Music Hall

Rather than having a semantic argument about whether 2009 or 2010 was the end of the last decade, Ca Va Cool yet again brings you its top albums of the year. Through our patented, painstaking, super-secret process, we have separated the wheat from the chaff to bring you twenty of this year’s finest albums (and Sufjan Stevens). Albums 20 to 11 come today, with the top ten being revealed on Friday. Without further ado, here is the bottom ten.

Released on Secret City Records

20. Diamond RingsSpecial Affections

The first of several one-man bands in our 2010 list, Diamond Rings is the brainchild of John O’Regan of the D’Urbervilles. In his Diamond Rings persona, Johnny O discards the post-punk mentality of his primary band with a spunkier, glam-rock approach. Special Affections strikes a fine balance of new wave pop with darker moments, distinctly glam but without the corniness that dogged the genre in the ’80s. The catchy hooks are never lost behind the synth, driven by punchy and endearingly DIY GarageBand drum beats. All of this punctuated by O’Regan’s direct and personal lyrics, emoted with his surprisingly throaty voice. In the end, Diamond Rings’ debut sounds like a less punky Pete Shelley, or a less cheesy Gary Numan, and ultimately a more fun John O’Regan. — Sabrina Diemert

Continue Reading ‘Best Albums of 2010’ Feature List »

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— , December 20, 2010    1 Comment

Photograph by Eric Kayne

For the past six years, fellow Canadian music blog i(heart)music has polled Canadian music writers, bloggers, and photographers to publish its annual Hottest Bands in Canada list, summarizing, well, Canadian bands that are hot. This consensus building seems to have worked as top honours in past years were given to critically fawned-over acts such as the Rural Alberta Advantage, Chad VanGaalen, and Feist.

Since the only two rules stated are that bands submitted must be Canadian, however one defines that, and that they be hot, however one defines that, I put together my own criteria for my top 10 submission. I gauged the quality of the band’s recorded output, in most cases their album release, along with the quality I saw and reverence I perceived towards the act’s live show. I also took into consideration if I think they’ve entered or stayed at the height of their careers, and if we can expect big things to come. Most of all, this list answers the completely subjective question of which bands I found most exciting in 2010.

For more of a scientific consensus, check out the full list and for reviews throughout the year of pretty much every Canadian album of the moment, be sure to check out i(heart)music’s feature section.

10. Basia Bulat

Canada’s folk sweetheart continues to bring her orchestrated indie pop to the masses with the steady touring of her second album, Heart of My Own. A talented songwriter with a keen ear for classic melodies, Bulat has garnered a following larger than anticipated for her humble personality.

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— , November 10, 2010    6 Comments

With the short list announced coincidentally close to Canada Day, the Polaris Music Prize has been cleverly disguised as an icon of national pride. The saga of Polaris says that not only are we geographically gargantuan as a nation, but musically we’re in fine proportion to our size. It takes time to look at all the details, since we as a nation put out an obscene amount of music, but an award like Polaris gives us great cause to wear out our Canadian vinyl through the summer months. From the Besnard Lakes to Broken Social Scene and from Shad to the Sadies, the short list has once again rolled out a tight batch of competition spanning a wide array of genres. Splicing and comparing the ten albums selected for the short list this year can be a daunting task, so we at Ca Va Cool have decided to divide and conquer, to leave you more time to enjoy and celebrate not only the ten albums on the short list or the forty albums on the long list, but as many Canadian albums from the past year as you possibly can.

Broken Social Scene – All to All
Radio Radio – Tomtom
Shad – Rose Garden

Photograph by Chris Gergley

The Besnard Lakes Are the Roaring Night (Jagjaguwar)

If there’s a dark horse in the Polaris race, it may just be the Besnard Lakes. The second-time shortlist nominees are once again looking to take home the big prize. An album blending shoegaze, progressive rock, and psychedelic rock, The Besnard Lakes are the Roaring Night harkens back to the 1970s, drawing comparisons to bands like Fleetwood Mac and the Alan Parsons Project. Husband-and-wife team  Jace Lasek and Olga Goreas trade vocals throughout.  Goreas takes centre stage on album highlight ’Albatross’, bursting through the droning guitars, singing of a heartfelt remembrance of an age long since passed. ‘And This Is What We Call Progress’ eschews that beauty, preferring a condemnation of the darkness of the surrounding world, soundtracked by a workman-like drumbeat and some of the sweetest guitar licks heard since the days of classic rock. Their world is on fire, and the Besnard Lakes channel that intensity into 10 tracks of Polaris-worthy goodness. — Kevin Kania

The Besnard Lakes – And This Is What We Call Progress

Continue Reading ‘Polaris Music Prize’ Feature List »

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— , July 31, 2010    8 Comments

Plants & Animals

I just checked out Montreal’s Plants & Animals this weekend at the Wolfe Island Music Festival and couldn’t have been more pleased. A bit Wolf Parade, a bit Apostle of Hustle, but undeniably their own, Plants & Animals is definitely becoming one of Canada’s indie bands to watch. They released their debut album on Secret City Records this February, which was announced in July as one of the contenders for Canada’s Polaris Music Prize.

Plants & Animals – Bye Bye Bye
Plants & Animals – Good Friend

The winner of Polaris will be announced on September 29. The 2008 shortlist is as follows:

I’m rooting for Two Hours Traffic because they’re pretty much my favourite Canadian band right now, their album rules, and they’re the underdog. Any other favourites?

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— , August 15, 2008    2 Comments