Tame Impala

We’re back again and this year going straight for the heavy hitters. Amongst our 10 favourite albums of the past year you’ll find American rap finding a new voice and hitting its poetic stride, both timeless and timely mini-symphonies, stripped-back and emotive electronic albums from England and Australia, and your required dosage of slacker rock. Without further ado, please enjoy Ca Va Cool’s best albums of 2015.

Kurt Vile

10. Kurt Vile – b’lieve i’m goin down…

At Pitchfork Festival this past summer, after torrential downpour followed by inhumane sun, Kurt Vile attempted to reclaim the mood from a harried audience. Despite an equipment malfunction, he still took time to greet his audience down in the muck, shaking hands and sharing smokes. It’s this personal appeal that fills his newest, most accessible record, b’lieve i’m goin down. On standout track, “Pretty Pimpin”, Vile rides a cascading guitar riff and speaks of his inability to recognize himself in the mirror and his detachment from the world around him, as swirling keyboards contemplate his panting vocals. Despite this emotional jumping off point, “Kidding Around” then talks about the meaninglessness of his lyrics and the importance of the “sound of the song.” True, his guitars twang and echo through the ambient heartland Vile has cultivated over his career, but his stinging sentiments about his place in the world are impossible to ignore. Despite his protests (or relentless rain), we can’t help but “care about the meaning of [his] songs”; Kurt Vile is here at his most affective and personal. — Anthony Boire

YouTubeKurt Vile – Pretty Pimpin

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— , December 30, 2015    Comments Off on Best Albums of 2015

Like we always do at this time, today Ca Va Cool presents the 20 albums we collectively overplayed and played loud in 2012. The first half of our list includes some faithful R&B from the unlikely state of Colorado, past CVC favourites both noisey and subdued, psychedelic rock from the West coast of Australia, cinematic Neil Young covers, coming-of-age rap from the city of Compton, a new indie rock superduo of sorts, and turn of the century hipsters growing up. Don’t read too much into that last one, we’ll continue our list-making ways for years to come.

Photograph by Florian Reimann

20. How to Dress Well – Total Loss

It’s quite possible that 2012 will be remembered as the year that R&B re-entered the zeitgeist. It’s not only been an important year for the genre on a commercial level, but for the first time in decades we’ve been reminded of just how advancing it can be. Tom Krell, like his contemporaries Frank Ocean, Abel Tesfaye (The Weeknd), Miguel, and Solange, is a vanguard, and Total Loss, his second LP, is a turning point, where R&B became less about a type of content and more about a type of sound, less rooted in the story of a race and more rooted in the story of a person. Krell is a white guy from Colorado who learned about R&B through a childhood affinity for Whitney Houston and Michael Jackson. On Total Loss he not only creates a beautiful and wrenching exploration of chronic depression, he also manages to deliver the single best ode to Houston since her passing, on album standout ‘& It Was You’. — Sal Patel

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— , December 18, 2012    1 Comment