Since the summer of dial-up has long ended, I’ve managed to catch up on the music I’ve missed. The following is a series of scatter-shot thoughts on the things I’ve been listening to lately.
Chad Vangaalen has a new album out called Soft Airplane; it is rather excellent. I remember seeing him sometime last year. I walked out of the show somewhat unsatisfied, not due to a lack of a good performance, moreso because I wasn’t ready for it to be over. Plus some dude had a seizure, which may have cast a pall over the whole event. We got a wicked Gameboy solo though. A lot of the songs played that night seem to have made it onto this album, which explains the lack of familiarity then.
For whatever reason, my only prior exposure to Tegan and Sara has been to Monday, Monday, Monday, as well as Walking With A Ghost, famously covered by the White Stripes. I don’t exactly remember the circumstances, but somehow I ended up getting their last three albums, which have made up most of my listening in the past 48 hours. Back In Your Head in particular has been monopolizing my iPod. I feel bad for skipping out on their London show last year.
Mates of State’s Re-Arrange Us is as reliable as ever, but I’m sure you knew that. Perhaps a little slower than previous albums, and with piano this time around. Help Help and Now are getting a lot of play from me.
Brendan Canning’s Something for All of Us… has managed to get a substantial bit of attention from me, far more than Kevin Drew’s album, which I found terribly boring. Love is New is my choice track.
As predicted, The Stills have redeemed themselves. While not surpassing Logic, Oceans Will Rise has brightly outshone Without Feathers and can be considered a return to form, at least by me. And hey, Tim’s back on lead vocals! I’m seeing them in a week, hopefully they continue to impress.
Bloc Party sprung Intimacy on us a couple of weeks ago. After hearing it, I responded with a resounding meh. Maybe they’ve been overexposed in the last little while, as I’m having trouble telling songs apart. To be fair, that problem also existed with the last half of A Weekend in the City. I keep reading about the innovation on this album, and if that means the electro-glitch which is Mercury, which I still contend is terrible, or adding a choir as on Zephyrus, I could do without it. Perhaps like AWITC, this is a grower, but right now I’m just turned off. At least Talons is pretty OK.